Four important novel and scriptwriting lessons behind Pixar’s success

Pixar Studios, maker of such classic films as Toy Story, Finding Nemo and Up, have had phenomenal success turning out one hit movie after another. In his book, Creativity Inc, Ed Catmull, one of the founders of Pixar, outlines many of the principles behind the studio’s success.

From the Writers’ Studio perspective, it is gratifying that just about every principle Catmull articulates matches the approach we passionately follow when conducting writing courses at the Writers’ Studio.Here are four of their guiding principles:


The Power of Creative Tension

To fully harness your creative potential, it is essential to grasp the subtleties of the creative process and understand how at first, elements of the craft of writing and storytelling can feel counter-intuitive or counter-instinctive.

Writing longer stories such as a novel or screenplay, requires you learn how to use both sides of your brain.


Four Breaking Bad Writing Lessons

At the end of last year, an award-winning Australian film director told me that people often asked him how to best learn to become a filmmaker. His response – study Breaking Bad created by Vince Gilligan.

Like many of the ground-breaking cable television series, Breaking Bad unfolds like a good novel. David Simon, who created The Wire, another great series, pitched the crime writer, George Pelecanos, to join the writing team with the concept that The Wire was like a novel for television.


Keeping Your Reader Turning the Page

In fiction, particularly commercial fiction, the most important thing is to keep your reader turning the pages. This is what the art and craft of writing fiction is all about.

As the English novelist, E.M. Forster said in his book Aspects of the Novel, a story “… has only one merit: that of making an audience want to know what happens next. And conversely it can only have one fault: that of making the audience not want to know what happens next.”


Writing Fiction nourishes the soul of the reader and writer

One of the outcomes of our 4-Week Unlocking Creativity course is to help participants understand and recognise whether writing fiction is something they want to pursue and make part of their life.

Writing fiction is an art and a craft that takes time to master. If you do want to publish a novel or write a professional screenplay, you need to dedicate time to learning the craft. The same applies to any creative endeavour.


Seven Keys to Realise Your Writing Talent

A burning question many aspiring writers often torture themselves with is  ‘Do I have the necessary talent required to be a writer?’

People often ask me how many talented writers come to our courses. I respond by saying I believe everyone who has a genuine desire to write has the raw ingredients to be a writer.


Getting your Novel Published 2: Traditional Publishing V Self Publishing

Once you’ve written the best novel you can and feel ready to get your novel published and release it to the world, the first decision you must make is whether to self-publish or pursue a traditional publishing deal. This article explores the pros and cons of both paths.

The British author services firm, Reedsy, describes self-publishing vs traditional publishing as one of the great debates of the literary world.

Self-publishing authors sing the praises of having creative control, not having to deal with the publishing gatekeepers and receiving higher royalties.


Getting Your Novel Published 4: Writing a Synopsis for Your Novel or Screenplay

This fourth article in our publishing series aims to explain why the synopsis, along with the Query letter, is such an important tool when seeking representation from a literary agent or publisher.

A synopsis is an overview of your manuscript. Writing it forces you to define your story and capture its essence, conveying that you are in command of your material, in an engaging manner. It is an artform in itself. The quality of your synopsis will determine whether an agent or publisher will read your full manuscript. Most agents and publishers simply do not have time to read every manuscript they receive.


Four important novel and scriptwriting lessons behind Pixar’s success -

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