Pathway to Publishing / Novel (Live)

The 12-Month Pathway to Publishing Fourth Draft Course is for people who have completed our Third Draft and wish to finish their novel and get the manuscript to a publishable standard over twelve months.

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PATHWAY TO PUBLISHING (LIVE) COURSE

START DATE

November 19, 2016

DURATION

12 Months

WHEN

Scroll down to see Workshop Dates

WHERE

Bronte Studio

COURSE FEE

$3,395 incl. GST

OPTIONS

Click on course tile to see payment options

Please Note

This course has payment options available. Click the Enrol tile to view.

Course Details

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This twelve-month course is for people who have completed our Third Draft Course and wish to finish their novel and get the manuscript to a publishable standard over twelve months.

By that, we mean:
  • Your story, characters, setting and writing are clear and come alive on the page from the first sentence to the last.
  • Your characters are engaging, well developed and motivated.
  • Your reader is drawn into the world of your story and wants to keep turning the pages.
  • They feel like they are being taken on a journey.

The course will also create accountability and inspiration to help you finish your novel in the twelve months. It is Roland’s experience that this is the point in the process where many stories start to fully realise their potential.

It goes without saying we only want to publish quality stories and we believe this course will help you achieve that end. And we're pleased to report the process of getting feedback from a professional editor, the group and Roland has produced outstanding results,

“I will be completely honest and come out of the closet and declare that I have been full of doubt that any of our stories would ever hit the shelves with any degree of success. But I was wrong. Everyone’s writing has taken off. The quantum leaps in sentence structure, pacing and vocabulary would be impressive enough. But more, the emotion, the subtlety of plot and the development character are an order of magnitude better. I now see that all are within a whisker of publication.” Gilbert Mane

"Everyone's work is now alive and much harder to put down." Clare Gillies

"The voice of each writer is much clearer and confident; there is a sense of finding and settling down with the voice. There is a shift from being a slave to language to owning it. This is really satisfying to see. As I was reading everyone's work for this session, I felt that the writing in general has reached a close-to-publishable standard, better than many of the printed books I read.”  Wallace Lee

"I'd hate to think what my story would’ve looked like if I hadn’t learnt so much from this course. I’m so sorry it is over." Sonya Fearby, after completing our Pathway to Publishing Course 


Important Note 1

If you haven't done the novel and script courses with us and are working on a novel, you can work through the pathway to publishing process with a personal editor/mentor.

If you are writing a film script, you can work through the process with a professional script editor who will help you get your script to a point where it is ready for you to submit it to funding bodies and producers.

Important Note 2

Whether you choose to find an agent, a traditional publisher or Rising Tide Books, this course will give you a process, tools, techniques, outside input and a support system to enable you to get your novel into very good shape.


The Process

The process works along similar lines to the third draft, using different templates and significantly longer word counts.PROCESS-1

We also have professional editors working with Roland.

Towards the end of the course, your assigned professional editor will work on 20,000 words of your story and you will have a one-on-one consultation with her. Getting feedback on the extra length ensures you get the flow and pacing of your story working at a high level.

At the end of the course, you will have a clear idea of what you need to do before presenting your work to an editor, who will need to go through your work in detail before publication.


How the Course Works 

Feedback

Over the twelve months, we will meet six times (See below for details).

Feedback_man

Feedback

You will receive feedback on larger chunks of your story than in the Third Draft (3,200 to 5,000 and ultimately feedback from Kelly on 20,000 words before the last class).

Getting feedback on the extra length from the Third Draft ensures you get the flow and pacing of your story working at a high level.

The Fourth Draft also includes:

Fleshing out Subplots and Character Arcs

You will do a series of character exploration exercises that will help you layer your story, flesh out your characters and your novel added emotional weight and dramatic depth.

Inner journeys

You will clarify and identify the inner journeys of your main characters. Stories, like life, are about change. Delineating the changes scene by scene gives a novel a sense of unfolding drama and its characters a feeling of progress over time.

Subplots

You will explore and develop the subplots in your story. Most subplots are underdeveloped or nonexistent. Subplots can add a lot of drama and meaning to your story.

Developing and heightening the dramatic power of your main opponent 

We are not accustomed to thinking of villains as being on an inner journey, but what human being is not? Humanise your villain. Motivate his actions with kindness. Let him/her be heroic, helpful, and principled. Hannah Ardent wrote of the “banality of evil.” For fiction writers, that means creating not passionless cruelty, but evil that wears a compassionate face.

Outlining

One of the biggest challenges with the re-writing and editing process is that if the story isn't working, the writing won't work.

Without the outlining process - you can't really tell if the issue that is creating a problem for your reader is due to an issue with the writing, a problem with the characters or a structural story issue. This can waste an enormous amount of time.

The outlining process enables you to get the characters, their motivation and the story 90 per cent "right" before writing. Enabling you to move through the process of re-writing and editing your novel more efficient, enjoyable and effective. 


Kelly Rigby

Kelly Rigby is an editor and coach who is passionate about helping writers tell their stories and polish their words. Over the past 20 years she has developed a unique combination of writing, marketing and teaching experience, and holds qualifications in creative writing (UTS), business and TESOL.

Kelly has edited and assessed manuscripts from most genres, and mentored writers at all levels of ability, including two who went on to win Varuna Fellowships. She has also written two short films and numerous short stories, and been published in a Louise Hay book - Modern Day Miracles, as well as on the web.

Kelly first came to the Writers Studio in 2004, where she completed the Unlocking Creativity, First and Second Draft courses and discovered she had a natural instinct for story structure. Since then, she has continued to study writing and hone her craft, and is at the final edit stage of her first book in a new urban fantasy series. Kelly works as an editor and tutor in our Fourth Draft Course. 


Session One – Five-page synopsisOne_1

Before embarking on the re-writing and editing of your story, you will:

Do a series of exercises to ensure your story has a tight dramatic spine.
Answer four key questions designed to help you find an extended logline of your story.  
Write a three to five page synopsis. The goal is help you to refine the essence of your story
Having a clear spine will give you confidence in your story and guide you through the whole process.

There will be a one month break between sessions one and two.

Sessions Two to Six:

As well as looking at writing and story elements addressed in the third draft, we will be using a feedback template in order to go a step deeper into your writing.

This includes analysing:

  • The flow and pacing
  • The  dramatic tension and development of your story
  • The consistency, smoothness and authenticity of your voice
  • Believable and well-motivated character development
  • Whether your story is working as a unified whole.

Often when you look at a longer section of a story you can see what is and isn’t working at a much clearer level.

Two_Final

Session Two - Opening 3,200 words

Two months between sessions two and three 

Three_3

Session Three - 4,300 words

Two months between sessions three and four

four_4

Session Four – 5,000 words

Two months between sessions four and five

Five_5Session Five – 5,000 words

Three months between sessions five and six so you can work on 20,000 words to present to the Editor and meet in an one-on-one consultation before the final class.

SIX Session Six  – 20,000 words and one-on-one consultation - Gearing up for publication

During the final session, you will look at:

  • Your title
  • Book description for back cover and Amazon
  • Covering letter you can send to an agent or traditional publisher that captures the essence of your story and its appeal
  • What you need to prepare for publication on Amazon to make sure its 180 million readers can find your book. This includes book categories, key words, etc
  • What else you need to do to market your work
     

ENEMY_INSIDEVanessa Skye Fowler said, "I had finished several drafts of my first book, The Enemy Inside, but like many authors, I was having a terrible time with my synopsis and pitch, both pretty crucial documents if you want to attract a publisher! I felt like the book was good, but I wasn't getting it across very well to potential publishers or agents.  

I sat down with Roland and in a two hour session we managed to completely redraft both my synopsis and my pitch. Once I sent these out, the reaction was far more positive. I had three agents interested in representing me almost immediately, and it all flowed well from there."


 Workshop Dates - November 19, 2016 to December 2, 2017

1) Saturday - November 19

2) Saturday - March 4 

3) Saturday - May 13

4) Saturday - July 22

5) Saturday - September 30

6) SUNDAY - December 10 & dinner


Fourth Draft Graduates

Click here to find out how the course works for graduates of previous Fourth Drafts

 

Testimonials First Draft Online

  • Nigel Bartlett

    I'm extremely grateful to Roland and the couple of years I spent at the Writer's Studio. My time there finally set me on the path I'd wanted to follow for years. It taught me so much about plot and structure and, importantly, it cleared my head of the rubbish I'd previously believed about the mystery of writing and the creative process. The scales fell from my eyes at the Writers' Studio. 'King of The Road' published by Random House, 2015
  • Alex Gilly

    Writers' Studio graduate and former tutor, Alexander Gilly, has signed a two-book deal with Tor/Forge, an imprint of Macmillan Publishers, in New York. This is his first novel, a high-seas action-thriller that Alex developed through our first, second and third draft novel writing courses. 'I'm thrilled,' says Alex. 'By sticking with my story and to the principles I learned at the Writers' Studio, and by getting lucky, I've realised a life-long ambition. Thank you Roland and Kathleen!
  • Nick Lathouris

    "The Writers' Studio is my testing ground, and a place equipped with the finest mental technologies, which unlike the thousands of books on the subject, are designed to nurture the screenwriter through that arduous practice and discipline of animating a story step-by-step, day by day, and refining it so that it represents the best of what you are."
  • L.A. Larkin

    "If it wasn't for Unlocking Creativity and The Writers' Studio First Draft (Novel & Script) Course I wouldn't be where I am today - an author about to be published. Thank you Roland for the inspiration." 

  • Krew Boylan

    ‘Before I did the Unlocking Creativity course I knew I loved to write creatively but had no idea how I might start to channel that into something like a novel. The course teaches the basics of storytelling in a really accessible and inspiring way. Things like the importance of sensory detail in scene setting, writing a character’s emotion and conflict on every page. ‘The techniques really worked for me and I’m still a little bit amazed I was able to write a book and have it published using them. I refer to the notes I took during Unlocking Creativity even
  • Elizabeth Farrelly

    Dear Roland. So excited. I have a publishing offer for my first book of fiction. So what I'm really saying is - thank you!' Elizabeth published her children's book, Caro Was Here, through Walker Books
  • Rachel Ward

    "A truly practical approach to the secrets of good story telling."
  • Julia Zemiro

    "I am doing a 10-month online writing course with them (The Writers' Studio) and it's challenging, exciting and frustrating. As it should be."
  • Shannon Garner

    Thanks to The Writer's Studio I truly found my love of writing buried within. After completing the 4-week Unlocking Creativity course and then the 10-month Novel & Script First Draft course, I found the determination to write and submit my memoir 'Labour of Love' which has been published by Simon & Schuster. Thank you Writers’ Studio for triggering my drive and inspiration and my deep adoration for writing.
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