Expect a Dramatic Improvement in the Quality of your Story
The Second Draft Course provides a step-by-step process that allows you to work through the re-writing process systematically. Most people totally transform their stories, taking them to a whole new level.
"I must confess to being a bit skeptical when Roland said the Second Draft would improve my story 200%. After all I had just spent a year driving my story forward, putting my hapless main character under intense pressure and finding out, at the end, how my story ended. Boy, that was a revelation.
How could the Second Draft improve my story that much? And I am happy to report I was right. The Second Draft Course didn’t improve my story 200%. It actually improved it 1000%!
Irrelevancies were discarded, subsidiary characters came to life and revealed formerly hidden depths, events took on an internal logic and my main character, Aaron Stern, deepened and broadened before my astonished eyes.
And I saw the same thing happen with everyone else's stories as well, under Roland’s benign but implacable direction – forcing us and our stories to be better than we ever dreamed we or they could be. Thanks from me and Aaron." Gilbert Mane
A Three Draft Process
The First Draft
For the writer - writing a first draft is a time where you discover the possibilities of your story. You need to let it go and hang out there in the uncertainty. "The first draft is the down draft. You need to start somewhere. Start by getting something, anything, down on paper. You just get it down." Anne Lamott
The Second Draft
This is where you will nail your story down, so that it works from beginning to end. "The second draft is the up draft - you fix it up. You try to say what you have to say more accurately." Anne Lamott
The Third Draft
For the reader -the third draft is where you make sure every scene works, indeed every word is doing its job. "The third draft is the dental draft, where you check every tooth, to see if it is loose or cramped or decayed, or even, God help us, healthy." Anne Lamott
We write to re-write
"Finishing a first draft doesn't make you a novelist. Anyone can do the rough draft of a novel and it probably won't look much worse than the first draft of any good novel you can name.
"The difference between anyone and a serious writer is re-writing, re-writing and more re-writing, some times over a period of years. I can't emphasise strongly enough how important this is, that writing leads to writing, that failed attempts lead to eventual success, that the solution of writing problems is made up of all the attempts that lead nowhere...
"The trouble is that when you're just beginning to write, you may believe that words committed to paper are sacred, fixed, immutable. But you're not dealing with a finished, printed, copyrighted book; only with an idea, a pile of words that change shape many times before they take shape as a book." Dorothy Bryant
Writing a second draft requires a very different mindset, skill set and process to the first draft. Without a step-by-step process, accountability and constructive feedback along the way, you can easily go off track and waste a huge amount of time.
Before the course begins you will be provided with a series of templates to flesh out and explore your story in more depth and to see the story from all your major characters' POV to ensure that the characters are driving your story.
During the course you will:
Find and clarify the spine of your story. This is where your "story concept" will really pop to a level that is way beyond the scope of your first draft.
Work through the spine and craft your novel or screenplay one step, one scene at a time so that your story works logically and dramatically from beginning to end. You will dig much deeper into your story and characters than was possible in your first draft and fill in all the missing gaps.
Do targeted writing exercises that will help you explore the dramatic and emotional world of your story, help you find your character's voice and bring your writing to life on the page. These exercises take everyone's writing to another level.
You will produce a work that has a strong dramatic spine. The action, character journey and theme will all work together to create a cohesive structure that will resonate with readers. This is way beyond the scope of a first draft.
Jan Christie wrote, "The Second Draft Course has made me acutely aware of the gaps in my story, things I thought I'd deal with later. Well, later is now and I have to deal with them before I move on.
"The clear methodical spine in the second draft has been instrumental in highlighting, sometimes in an acutely uncomfortable way, what works and what doesn't. But in the process I've discovered new characters, new motivations, depth to both people and situations that wasn't there before. It's a challenge, but it's also lots of fun."
Don't let what you perceive as the lack of quality of your first draft put you off. You don't have to go back and make your first draft more complete.
Many people only really start connecting with their story and falling in love with it in the Second Draft.
Part One: Finding the Organic Spine
You will start the process by finding a fresh Seven Turning Point Spine (this is more organic than the Eight Turning Points in the First Draft course).
Even though your story can and will continue to evolve, the Seven Turning Points you come up with in the first session will clarify the story you want to tell and provide a solid spine for your Second Draft.
Part Two: The Nitty-Gritty of Storytelling
Once you have identified your Seven Turning Points, you will systematically work through each of the Turning Points one at a time by creating Story Steps, Sequences and Scenes.
The Sequences, which are very different from the Sequences used in the First Draft Course, create the dramatic spine of the Story Step. This extra layer of structure enables you to take what you have in your first draft and really flesh it out.
As well as focusing on the structure for each Turning Point, you will also do a series of writing exercises that will develop your connection to your character's emotion and voice and help bring your writing to life on the page.
In each session you will work on the structure from one Turning Point to the next and do most of the heavy planning in class.
This allows you to really concentrate on the writing at home.
What if I want to write a Different Story?
The vast majority of people continue working on their story from the First Draft Course. However, if you feel it necessary to write another story, you can develop a new story from scratch.
Session Dates for 3 February 2019 Course
WORKSHOP 1: SUNDAY February 3 - 10.00am to 6.00pm
WORKSHOP 2: Saturday February 16 -10.00am to 6.00pm - TP1 to TP2
Remaining Sessions from 2.00pm to 6.00pm
Session 1: Saturday 16 March - TP2 to TP3
Session 2: Saturday 13 April - TP3 to TP4
Session 3: Saturday 11 May - TP4 to TP5
Session 4: Saturday 8 June - TP5 to TP6
Session 5: Saturday 6 July - TP6 - Battle A
Session 6: Saturday 3 August - TP6 - Battle B
Session 7: SUNDAY 1 September - TP7 - 2.00pm to 6.30pm & Dinner
Session Dates for 3 February 2018 Course
Saturday February 3 - Workshop 1: 10.00am to 6.00pm
Saturday February 17 - Workshop 2 (TP1 to TP2): 10.00am to 6.00pm
All remaining sessions held from 2.00pm to 6.00pm
Please note the 2 x Sunday Sessions below:
SUNDAY March 18 Session 1 - TP2 to TP3
Saturday April 14 Session 2 - TP3 to TP4
Saturday May 12 Session 3 - TP4 to TP5
Saturday June 16 Session 4 - TP5 to TP6
Saturday July 14 Session 5 - TP6 Battle A
Saturday Aug 11 Session 6 - TP6 Battle B
SUNDAY Sept 9 Session 7 - TP7