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"No one in the world is doing what you guys do combining the structural elements of story telling with the power and creativity of play...This process is fantastic."
Dr George Miller. writer/director - Mad Max, Babe, Lorenzo's Oil, Witches of Eastwick

"This is without a doubt the best writing course in Sydney. I strongly recommend it to anyone with a story to tell and more to the point - to people unsure of what the story they want to write is."
Sam de Brito - Journalist and Columnist for the Sunday Telegraph, Script Editor - White Collar Blue, Water Rats

"Reading back over my first novel, I'm aware of a change at the point where I started doing the Writers Studio course. It's where my descriptions went from run of the mill to, I think, much more visual. No one can give you a secret formula for 'how to write', but the Writers Studio seems able to unleash the wild writer beast in us all! And what I learned there in 1998 has stayed with me ."
Yasmin Boland - Writer - Carole King is an Alien and All the Rage

"I have good news...I have two books being published this year. Since I did my first Writer's Studio course in 1998, I've had over 100 articles published, now three books, had three short film scripts made, and published poetry and short stories in small press magazines. I owe so much of that to what I have learnt from you over the years. So a big Thank You!"
Tina Sederholm

"It was fantastic - the best course I've ever done. I now look at the world differently. I've learnt to trust myself - however wacky - keep writing - so many things - too numerous to mention! I'm sure my writing has improved - the way I understand and write and feel about the world surely has. It was brilliantly organised, seamless, lovely leaders - hard to believe that so many great writers and lovely people could be in the room at the same time."
Mandy Newman, author - How to Say I Do

From an article in The Sydney Morning Herald by Ali Gripper, "Roland Fishman is a journalist-turned-author who also happens to have a Midas touch with teaching people how to get in touch with their imaginations. Unlike many who think there's magic or romance in writing and that it's a gift bestowed by the gods on a special few, Fishman adheres to a far more pragmatic approach. He believes writing is a craft that can be learned, with techniques and tools that can be applied, like chisels, to characters and scenes. He's convinced that all of us can write a novel or short story that people want to read. The biggest barrier is learning how to silence our inner critic that tells us we have nothing original to say, and trusting the creativity of our unconscious minds instead."

"A truly practical approach to the secrets of good story telling."
Rachel Ward - Actress and film maker

"Well! I feel like I've learnt more in this course that I did in my whole MA in writing at Sydney Uni. Fabulous. Finally someone who really does have the key to practical help for writers. I really really loved finally feeling like things were coming out of me, when for so long I've felt like a big dried up prune! Congratulations Writers' Studio and Roland, great course."
Tiara Lowndes

"I have just completed a wonderful course that really does deliver what it's title promotes. Inside all of us - I know that now, all of us - is a creative force that can be harnessed. At times over the the past weeks I have felt like it' been hard work, I've felt under pressure, I've felt confronted and lain bare. But then, so has everyone else. I now have an inkling of what I might be capable of, and must resolve to never forget that. Most of all, it really has been more a fun experience than just a "learning" one."
Richard Waters

"Eventually I went on a writing course. I was skeptical, didn't think you could teach someone how to write. I've been writing for ages as you know, but before this I never had the courage to show my work to anyone else. And over here that is a part of what we do. The course is unexpected, vital, fresh, makes you think of ideas and notions that you never knew you had. It disolves 'writer's blocks' . I have learnt so very much and have been guided by patient teachers who would not allow negativity to prevail. It has been so worth while and liberating, you should do it too, become your dream."
Caron Kanareck

"I have discovered that writing isn't all about this fantastic creative talent hidden or otherwise. There is a process to it and I like the fact that there is actually a simple step-by-step guide and procedure to it. Of course there are days when I just don't think I have enough discipline but when I do, it is pure pleasure."
Lillian Lim

Fiona Seres, studied scriptwriting at The Australian Film and Television School and at New York University. She worked on a treatment in the Novel and Script Course at the Writers' Studio and on the strength of that treatment, had her next script optioned by Working Title film who made Notting Hill and Billy Elliot, which she was working on in class with us. She is also working on a project with Columbia Tristar.

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